Composers will be pleased with a new global Transpose track that significantly speeds up the process of roughing-in, rescaling or repurposing cues. Nuendo 4 includes wealth of enhancements that span the gamut from expanded editing tools to a spanking-new, first-class automation system. PAR‘s previous Nuendo reviews, which are available at Natural Scale Enhancement A 64-bit “preview” version is available for Vista 64, and a Mac Leopard counterpart is in the works.įor a complete rundown of general features and specifications, please refer to Steinberg’s website ( also check out. The cross-platform DAW supports all 32-bit versions of Windows XP, Vista, and Mac Universal Binary. Nuendo uses a 32-bit floating-point audio engine, has delay compensation throughout (including external hardware), supports up to 192kHz/32bit recording (plus import, editing, and mixing up to 384kHz.). Digging a little deeper rewards users with a tremendous amount of custom control over Nuendo’s look and operations, thanks to its expansive Preference, Key Command/Macro and external Sync/Control dialogs. These are augmented by a number of fixed, floating and pop-up tool sets and dialogs. The program generally follows the traditional DAW layout with a timeline-based Project editor and associated channel-strip mixer. Nuendo 4’s default layout and workflow are quite intuitive, allowing new users to get up and running with a minimal learning curve. Ladies and gentlemen, start your audio engines… A major push towards the post-production market started in earnest with Nuendo 3, so it t is no surprise that it is in this area of Nuendo 4 ($1799) that the most competitive and impressive strides are made. In the eight years since its introduction, Steinberg Nuendo has matured into a full-featured, high-end studio and post production workstation system – one that is increasingly recognized by post and studio engineers as an attractive alternative to the reigning Digidesign Pro Tools. It’s Post-Time for Steinberg’s promising workstation workhorse
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